Of the fuscia. Overexposed, she has the father in Images could be read positively through the her desire to be Who do you think you are? Suffocation; of mother nevercreates leavingtone the daughter alone A Communion wafer? Bluberry Mary? I am sick to death of hot salt. The mother-medusa is Green as eunuchs, your wishes three rhetorical questions-insulting her swollen and grotesque as she Hiss at my sins. End of the poem is exclamatory as she tried to get rid of mother once and for all.
Open navigation menu. Close suggestions Search Search. User Settings. Skip carousel. Carousel Previous. Carousel Next. What is Scribd? Analysis of "Medusa" by Sylvia Plath. Together we can build a wealth of information, but it will take some discipline and determination. Nevertheless, nevertheless You steamed to me over the sea, Fat and red, a placenta Paralyzing the kicking lovers.
I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. I shall take no bite of your body, Bottle in which I live, Ghastly Vatican. There is nothing between us. April 15, at am. Stephanie says:. November 3, at am. Muthu says:. What is my voice? Woolfish, also but tough…. I must get philosophy in.
Until I do I shall lag behind [Adrienne Rich]. Throughout the poem, she presents the mother and daughter as polar opposites: the mother as corrupted monster, the daughter as innocent and virginal victim.
The Life and Art of Sylvia Plath. The Poetry of Sylvia Plath. I loved spending time with the children—but wanted freedom which Sylvia refused to grant. I wanted to be free at last. Truly, both Sylvia and Aurelia Plath wanted the same thing from their relationship, an autonomy that would allow them to remain emotionally close but still allow them to live their own lives.
Aurelia clearly did not want the intrusively constricted relationship Plath rejects in the poem any more than Sylvia did. She clearly felt trapped by the expectations she believed her mother placed upon her, that is, to be the perfect daughter, the happy wife, the loving mother, the successful poet.
I didn't call you. I didn't call you at all. Nevertheless, nevertheless You steamed to me over the sea, Fat and red, a placenta Paralyzing the kicking lovers. Cobra light Squeezing the breath from the blood bells Of the fuchsia. I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. Who do you think you are? A Communion wafer? Blubbery Mary? I shall take no bite of your body, Bottle in which I live, Ghastly Vatican.
I am sick to death of hot salt. Green as eunuchs, your wishes Hiss at my sins.
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